Spellbound By Alfred Hitchcock :: essays research papers

Ingrid Bergman and Gregory Peck star in this mystery/thriller that dabbles in psycho-analysis and the troubles of the mind. Constance Peterson is a known psycho-analyst, whose ability to analyze data is unquestionable, but who has no life outside(a) of her work. This all changes the day the new Chief of Staff, Dr. Edwardes (Peck) arrives. It is love at head start site, and Constances barriers break down in a flash. Critics have far-famed that Alfred Hitchcock al elbow rooms had trouble with women. His films are known for having blond women portraying troubled, chastely challenged women. This holds true in Spellbound, with Constances initial emotional frigidity, which later gives way to intellectual stupidity. In Spellbound, Hitchcocks treatment of women is at an all duration low. Constance is push aside repeatedly throughout the film, as not being commensurate of clear, intellectual thought because she is in love. Before she falls in love, she is dismissed as a cold fish, in capable of feeling, and her femininity is challenged. There is consequently no middle ground left. Despite the inherent sexism of the film, the story is captivating. We in brief find out that Edwardes is not who he claims to be. He is in circumstance an imposter, who has no idea who he sincerely is. Suffering from amnesia, he is impersonating the real Edwardes, who is assumed to be dead. The intrigue is kept high, and we are never accredited whether the man, called J.B. after initials found on a cigarette case he found on himself, is a killer or not. Constance, going against reason, decides to overhaul him. Despite evidence to the contrary she will not believe that a man she loves is capable of murder. Spellbound is a good mystery, with entertaining characters, which keeps you barb until the end. What I found surprising in this film is that everyone in it is so refreshingly smart.