Fahrenheit 451 Summary Essay

Fahrenheit 451 by dig Bradbury Matthew Hart Nov. 12, 12 Fahrenheit 451 doesnt provide a single, get explanation of why maintains atomic asleep(p)er 18 banned in the future. Instead, it suggests that many unlike factors could combine to create this result. These factors can be broken into two groups factors that convey to a general lack of interest in reading and factors that even up wad actively hostile to struggled volumes. The novel doesnt clearly s elevator car these two developments. Apparently, they simply support one a nonher.The first group of factors includes the popularity of competing forms of merriment such as television and radio. More broadly, Bradbury thinks that the presence of fast cars, shattering music, and advertisements creates a lifestyle with too much stimulation in which no one has the time to concentrate. Also, the huge mass of published material is too e reallywherewhelming to think intimately, leading to a society that reads condensed books r ather than the tangible thing. Guy Montag is a fireman in charge of blazeing books in a grim, futuristic United States.The book opens with a brief commentary of the pleasure he experiences while on the job one evening. He wears a helmet emblazoned with the numeral 451, the temperature at which paper burn, a black furnish with a salamander on the arm, and a phoenix disc on his chest. On his way home from the fire station, he feels a horse sense of nervous anticipation. After suspecting a lingering nearby presence, he sports meetings his bare-ass neighbor, an inquisitive and unusual seventeen-year-old named Clarisse McClellan. She immediately recognizes him as a fireman and seems hypnotized by him and his uniform.She explains that she is crazy and proceeds to suggest that the original duty of firemen was to crush come out fires rather than to light them. She asks him about his job and tells him that she comes from a strange family that does such peculiar things as talk to eac h early(a) and walk places. Clarisses strangeness makes Guy nervous, and he laughs repeatedly and involuntarily. She reminds him in different slipway of candlelight, a clock, and a mirror. He cannot help feeling somehow attracted to her. She fascinates him with her direful questions, unorthodox lifestyle, perceptive observations, and incredible power of identification.She asks him if he is happy and checkingly disappears into her theatre of operations. Pondering the absurd question, he enters his house and thinks about this stranger and her wisdom of his innermost trembling thought. Montag and Mildred spend the afternoon reading. The Mechanical Hound comes and sniffs at the door. Montag speculates about what it was that made Clarisse so unique. Mildred refuses to talk about someone who is bushed(p) and complains that she prefers the people and the pretty colors on her TV walls to books.Montag feels that books must somehow be able to help him out of his ignorance, only he d oes not ensure what he is reading and decides that he must find a teacher. He thinks back to an afternoon a year before when he met an old English professor named Faber in the park. It was apparent that Faber had been reading a book of poetry before Montag arrived. The professor had tried to hide the book and run away, but after Montag reassured him that he was safe, they talked, and Faber gave him his address and recall number. Now Montag calls the professor.He asks him how many copies of the Bible, Shakespeare, or Plato are left in the country. Faber, who thinks Montag is stressful to trap him, says none are left and hangs up the phone. Montag goes back to his mound of books and realizes that he took from the old woman what may be the last replica of the Bible in existence. He considers turning in a replacing to Beatty (who knows he has at least one book), but he realizes that if Beatty knows which book he took, the chief will guess that he has a consentaneous library if he splits him a different book. He decides to have a duplicate made before that night.Mildred tells him that some of her friends are coming over to watch TV with her. Montag, still toilsome to connect with her, asks her rhetorically if the family on TV loves her. She dismisses his question. He takes the subway to Fabers, and on the way tries to memorize verses from the Bible. A jingle for Denhams Dentifrice toothpaste distracts him, and finally he gets up in front line of all the passengers and screams at the radio to shut up, waving his book around. The astonished passengers start to call a guard, but Montag gets rack up at the future(a) stop.Montag goes to Faber and shows him the book, which alleviates Fabers fear of him, and he asks the old man to teach him to understand what he reads. Faber says that Montag does not know the real reason for his unhappiness and is besides guessing that it has something to do with books, since they are the only things he knows for sure are go ne. Faber insists that its not the books themselves that Montag is looking for, but the nitty-gritty they contain. The same meaning could be included in existing media like television and radio, but people no longer demand it.Faber compares their superficial society to flowers trying to live on flowers instead of on good, substantive dirt people are unwilling to accept the basic realities and unpleasant aspects of life. Faber says that people lack quality information, the leisure to digest it, and the freedom to act on what they learn. He defines quality information as a textured and detailed knowledge of life, knowledge of the pores on the face of humanity. Faber agrees with Mildred that television seems much real than books, but he dislikes it because it is too invasive and controlling.Books at least allow the lector to put them megabucks, giving one time to think and reason about the information they contain. Montag suggests planting books in the homes of firemen to discred it the profession and see the firehouses burn. Faber doesnt think that this action would get to the give awayt of the problem, however, lamenting that the firemen arent sincerely necessary to suppress books because the public stopped reading them of its own accord even before they were burned. Faber says they just need to be patient, since the coming war will eventually mean the cobblers last of the TV families.Montag concludes that they could use that as a chance to bring books back. Montag bullies Faber out of his cowardice by violent pages out of the precious Bible one by one, and Faber finally agrees to help, revealing that he knows someone with a fall guying press who used to print his col noge newspaper. Montag asks for help with Beatty that night, and Faber gives him a two-part radio he has created that will look into in Montags ear that way the professor can hear what Beatty has to say and also prompt Montag. Montag decides to risk giving Beatty a modesty book, and Faber agrees to see his printer friend.Montag gazes at Clarisses empty house, and Beatty, guessing that he has fallen under her influence, berates him for it. Mildred rushes out of the house with a suitcase and is goaded away in a taxi, and Montag realizes she must have called in the solicitude. Beatty orders Montag to burn the house by himself with his flamethrower and warns that the Hound is on the watch for him if he tries to escape. Montag burn everything, and when he is finished, Beatty places him under arrest. Beatty sees that Montag is listening to something and strikes him on the head.The radio falls out of Montags ear, and Beatty picks it up, saying that he will have it traced to find the somebody on the other end. After Beatty eggs him on with more literary quotations, his last a quote from Julius Caesar, Montag turns his flamethrower on Beatty and burns him to a crisp. The other firemen do not move, and he knocks them out. The Mechanical Hound appears and injects Montags leg with anesthetic before he manages to destroy it with his flamethrower. Montag stumbles away on his numb leg. He goes to where he hid the books in his backyard and finds four that Mildred missed.He hears sirens approaching and tries to continue down the alley, but he falls and begins to sob. He forces himself to rise and runs until the numbness leaves his leg. Montag puts a regular Seashell radio in his ear and hears a police full of life warning people to be on the lookout for him, that he is only and on foot. He finds a gas station and washes the soot off his face so he will look less suspicious. He hears on the radio that war has been declared. He starts to cross a unsubtle street and is nearly hit by a car rush toward him.At first, Montag thinks it is the police coming to get him, but he later realizes the cars passengers are children who would have killed him for no reason at all, and he wonders angrily whether they were the motorists who killed Clarisse. He creeps into one of his coworkers houses and hides the books, then calls in an alarm from a phone booth. He goes to Fabers house, tells him what has happened, and gives the professor some money. Faber instructs him to fall out the old railroad tracks out of town to look for camps of homeless intellectuals and tells Montag to meet him in St.Louis sometime in the future, where he is going to meet a retired printer. Faber turns on the TV news, and they hear that a new Mechanical Hound, followed by a helicopter camera crew, has been sent out after Montag. Montag takes a suitcase full of Fabers old clothes, tells the professor how to purge his house of Montags scent so the Hound will not be led there, and runs off into the night. Faber plans to take a bus out of the urban center to visit his printer friend as soon as possible. chief Beatty comes by to check on Montag, saying that he guessed Montag would be concern in sick that day.He tells Montag that every fireman runs into the problem he has be en experiencing originally or later, and he relates to him the history of their profession. Beattys monologue borders on the hysterical, and his lean to jump from one thing to another without explaining the connection makes his history very hard to follow. Part of the story is that photography, film, and television made it possible to leave information in a quickly digestible, visual form, which made the slower, more reflective practice of reading books less popular.Another strand of his argument is that the hand out of literacy, and the gigantic increase in the amount of published materials, created pressure for books to be more like one another and easier to read. Montag withdraws money from his account to give to Faber and listens to reports over the radio that the country is mobilizing for war. Faber reads to him from the Book of Job over the two-way radio in his ear. He goes home, and two of Mildreds friends, Mrs. Phelps and Mrs. Bowles, arrive and quickly disappear into th e TV parlor. Montag turns off the TV walls and tries to engage the three women in conversation.They reluctantly oblige him, but he becomes angry when they describe how they voted in the last presidential election, based solely on the physical fashion and other superficial qualities of the candidates. After witnessing the anonymous scapegoats death on the television, Granger turns to Montag and ironically remarks, Welcome back to life. He introduces Montag to the other men, who are all former professors and intellectuals. He tells Montag that they have perfected a method of recalling word-for-word anything that they have read once. Each one of them has a different classic books stored in his memory.